HUBRIS
I
think that if I had known the true extent of the work in front
of me I would have kept driving north to Alaska and probably become
a forest ranger. My one-hour documentary had gradually grown to
two hours, then three, and finally, four. The footage was there,
the stories were tight and seemed compelling.
Unfortunately, like all poorly-planned projects that are allowed
to grow organically, my media management was non-existent. Whenever
I got bored waiting for a project to open on the computer, I’d
start a new one. Dom was expansive on this subject. Four months
into it he was so worried that he suggested I wipe out all the
footage in my computer, organize my clips properly, and recapture
them again. That’s when I decided he was a pessimist, and
stopped listening.
Shortly thereafter I tried to open one of my five projects, and
couldn’t. I’d used the media manager to trim my clips
– a definite no-no in Dom’s book – and it had
trashed a month’s work. I started listening to him again.
“Don’t nest your sequences,” he told me. “Rebuild
them each time from scratch”. You’re kidding,
I thought, until one day Final Cut Pro informed me, in that metallic
female voice, that 6,439 clips were missing reel numbers. After
that I listened to everything Dom said, on any subject, from California
car emissions inspections to the evil habits of Minnesota ladybugs. |